Once you find the specific tools that you’ll be using the most, you will be able to start grading your footage and creating your own video LUTs in no time. Yes, if you haven’t seen this before, it’s probably a bit daunting, but trust me – it’s not all that scary. Looking at the Coloring panel, you can see there are quite a few tabs located on the right side of the screen with tons of different adjustment options and random buttons. Now that you’ve thought about the colors in your raw footage, and have started thinking about the colors you’d like to add/pull back for your final color grade, let’s go ahead and hop into the ‘Color’ tab so we can get down to the nitty-gritty. If you were sitting on your couch, watching this scene on TV, what would make it feel real? These are the things that make a good colorist – noticing those little details that will change the way a viewer will feel about something. When you’re thinking about your color grade and you’re asking yourself these questions, be sure to think about your final project from the consumer’s (viewer) perspective. Once you’ve imported your footage, I always recommend watching the raw clip once through (or at least clips of the scenes you’ll be color grading) so you can see what you don’t like about the existing colors – are the skin color tones realistic? could the sky or water be colored differently to create a different emotion? Let’s get started by opening Adobe Premiere Pro and importing some footage. Whatever you or your team decides, you can create, it all just depends on if the colors make the final cut look better and more realistic. Obviously if you are going for a western look and you color grade it for more of a blue tone, then you’re not going to emit the right feeling with the color tones, but it’s all about preference and choice. Besides, with color, there is no right answer. Now, looking at video footage and seeing how nice something looks can be intimidating, but I promise, once you start playing around with your footage and the colors, you’ll be quite alright. Uncheck all options except for CUBE and click OK, select where you want to export then click Save.Ĩ.Getting Started with Making Your Own LUTs When you are happy with the look, press File > Export > Color Lookup Tablesħ. Alternatively, you can click on the dropdown and select one of the many preset gradient maps that photoshop has.Ħ. Experiment till you find a colour combination you like. Play with this as you please, one side will always attach to darker tones, while the other attaches to lighter tones. Click on the Properties Tab then the Gradient Bar. For this example, select Gradient Map as its the easiest way to map colours to tones.ĥ. For this edit, I’m looking for a warm red-tone. After that, depending on which color tone i’m looking for, I’ll usually go into the red, green, or blue curves panels and play around. Now if you go to Layer > New Adjustment Layer anything in this list will affect the LUT you export. It is different from the format that is supported by the FFmpeg lut3d filters. For me, I tend to start with the overall curves by bumping highlights and adjusting the bottom left corner to my liking. Select your base image that you imported into PS, and go to Layer > New > Background from layerĤ. If you have a BG Layer, unlock the BG Layer and delete it.ģ. Our LUT Stream Packs are all black and white, so the colours are all converted accurately with our designers LUT collection.Ģ. Open up Photoshop and add in the base image you want to use. But for the sake of ease and popularity of product, we'll show how its done on Photoshop here.ġ. Adobe Photoshop will be your friend here! You can also make these on GIMP or download free ones from many resources on the internet.
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